{"id":2852,"date":"2023-08-22T14:14:19","date_gmt":"2023-08-22T14:14:19","guid":{"rendered":"http:\/\/www.damne.net\/?p=2852"},"modified":"2026-01-19T23:22:39","modified_gmt":"2026-01-19T23:22:39","slug":"kig-kultur-in-graz-insurgent-flows-exhibition","status":"publish","type":"post","link":"https:\/\/www.damne.net\/?p=2852","title":{"rendered":"Exhibition: Insurgent Flows. Thriving of Black, Brown, Indigenous, Queer and Trans Vitalities. White Topographies of Coercion and Emancipation"},"content":{"rendered":"<p class=\"wp-block-heading\"><strong><a href=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Poster-exhibition.jpeg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-4311\" src=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Poster-exhibition.jpeg\" alt=\"\" width=\"1280\" height=\"853\" srcset=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Poster-exhibition.jpeg 1280w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Poster-exhibition-300x200.jpeg 300w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Poster-exhibition-1024x682.jpeg 1024w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Poster-exhibition-768x512.jpeg 768w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Poster-exhibition-1200x800.jpeg 1200w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><\/a>KiG! Kultur in Graz | 21.09.2023 \u201310.11.2023<\/strong><\/p>\n<p><strong>Artists<\/strong>: Marina Gr\u017eini\u0107, Tja\u0161a Kancler, Jovita Pristov\u0161ek, Jill H. Casid, Bojan \u0110or\u0111ev, Sini\u0161a Ili\u0107<\/p>\n<p><strong>Authors of the exhibition<\/strong>: Marina Gr\u017eini\u0107, Tja\u0161a Kancler, Jovita Pristov\u0161ek<\/p>\n<p><strong>Curators<\/strong>: Anita Hofer, Eva Ursprung<\/p>\n<p><strong>Location<\/strong>: Lagergasse 98a \u2022 8020 Graz \u2022 0316 720267 \u2022 office@kig.mur.at \u2022 kulturingraz.mur.at<\/p>\n<p><strong>Opening hours<\/strong>: Wednesday \u2013 Friday 16:00 \u2013 19:00, plus 23.09. and 24.09., 14:00 \u2013 18:00<\/p>\n<p style=\"text-align: justify;\">The mixed-media installation <em>Insurgent Flows.<\/em> reflects on death and history after World War II. The wars of the present and recent past have entirely changed geopolitical relations. The capitalist imperial powers of the United States and its NATO allies, along with various regional powers, have destroyed Africa (Libya), the Middle East (Iraq), and Afghanistan with colonial appetites. Social and political space is disintegrating under the pressure of global capitalism. The recent \u201ccrises\u201d fuel the perpetuation of the history of racism, antisemitism, Islamophobia, sexism, and homo- and transphobia. They lead to a situation characterized by cruel erasure, displacement, discrimination, humiliation, and the denial of the rights of racialized people, migrant people, refugees, LGBTQI+ people, sex workers, and many others.<\/p>\n<div class=\"text__column-event text-format small\">\n<p style=\"text-align: justify;\">The project-exhibition and symposium <strong>Insurgent Flows. Thriving of Black, Brown, Indigenous, Queer and Trans Vitalities. White Topographies of Coercion and Emancipation<\/strong> is a multidisciplinary exploration of various themes, including death, violence, empowerment, futurities.<\/p>\n<p style=\"text-align: justify;\">It encourages viewers to engage with challenging aspects of history and to think critically about historical narratives, particularly those that involve the ongoing effects of systematic violence. The exhibition is a fascinating and provocative encounter of artistic expressions and critical discourses.<\/p>\n<p><a href=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Tjasa_Kancler_Insurgent-Flows.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-4312\" src=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Tjasa_Kancler_Insurgent-Flows.png\" alt=\"\" width=\"1956\" height=\"1372\" srcset=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Tjasa_Kancler_Insurgent-Flows.png 1956w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Tjasa_Kancler_Insurgent-Flows-300x210.png 300w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Tjasa_Kancler_Insurgent-Flows-1024x718.png 1024w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Tjasa_Kancler_Insurgent-Flows-768x539.png 768w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Tjasa_Kancler_Insurgent-Flows-1536x1077.png 1536w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Tjasa_Kancler_Insurgent-Flows-1200x842.png 1200w\" sizes=\"(max-width: 1956px) 100vw, 1956px\" \/><\/a>20.9., 19:00<\/p>\n<p><strong>Opening<\/strong><\/p>\n<p>30.9., 16:00\u201320:00<\/p>\n<p><a href=\"https:\/\/convivialityaspotentiality.akbild.ac.at\/2023\/09\/10\/exhibition-insurgent-flows-thriving-of-black-brown-indigenous-queer-and-trans-vitalities-white-topographies-of-coercion-and-emancipation\/\"><strong>Symposium: Encounters to oppose colonial divide. Performative talks and interventions<\/strong><\/a><\/p>\n<p><a href=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/LEaflet1.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-4313\" src=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/LEaflet1.png\" alt=\"\" width=\"2036\" height=\"1438\" srcset=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/LEaflet1.png 2036w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/LEaflet1-300x212.png 300w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/LEaflet1-1024x723.png 1024w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/LEaflet1-768x542.png 768w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/LEaflet1-1536x1085.png 1536w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/LEaflet1-1200x848.png 1200w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/LEaflet1-1980x1398.png 1980w\" sizes=\"(max-width: 2036px) 100vw, 2036px\" \/><\/a><a href=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Leaflet2.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-4314\" src=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Leaflet2.png\" alt=\"\" width=\"2036\" height=\"1438\" srcset=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Leaflet2.png 2036w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Leaflet2-300x212.png 300w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Leaflet2-1024x723.png 1024w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Leaflet2-768x542.png 768w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Leaflet2-1536x1085.png 1536w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Leaflet2-1200x848.png 1200w, https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/Leaflet2-1980x1398.png 1980w\" sizes=\"(max-width: 2036px) 100vw, 2036px\" \/><\/a><a href=\"https:\/\/www.damne.net\/wp-content\/uploads\/2023\/08\/INSURGENT-FLOWS-leaflet-KiG.pdf\">download leaflet &gt;&gt;<\/a><\/p>\n<p>Asma Aiad, Anna Campbell, Jill H. Casid, Marina Gr\u017eini\u0107, Tja\u0161a Kancler, Ines Mahmoud, Bogdan Popa, Jovita Pristov\u0161ek<\/p>\n<p>A coproduction with Piran Coastal Galleries, <em>Conviviality as Potentiality<\/em> (FWF-PEEK AR679), the Academy of Fine Arts Vienna, and Photon Gallery, Ljubljana\/Vienna<\/p>\n<div class=\"bp-desktop\">\n<p style=\"text-align: justify;\">Supported by the City of Graz\u2013Department of Culture, Province of Styria\u2013Department of Culture, and BMK\u00d6S<br \/>\nA cooperation in the context of steirischer herbst \u02bc23<\/p>\n<div class=\"XbIp4 jmmB7 GNqVo yxtKT allowTextSelection\" tabindex=\"-1\">\n<div>\n<div>\n<div lang=\"sl\">\n<div>\n<p>Thanks to: Mara Ambro\u017ei\u010d Verderber, Maria Pallier, Dejan Sluga, Martina Vovk<\/p>\n<p>Special thanks: Aina \u0160mid, Anita Hofer, Eva Ursprung and all the members of KiG, Bojan Radovi\u010d \/ Luminus<\/p>\n<p>In charge of KiG: Anita Hofer<\/p>\n<p style=\"text-align: justify;\"><strong>CV&#8217;s<\/strong><\/p>\n<p style=\"text-align: justify;\">Asma Aiad is a conceptual artist, activist and co-founder of Salam Oida. In her various works such as \u201cThis is not a headscarf\u201d or \u201c(Un)Seen Sacred Spaces\u201d she deals with her Muslim identity in Austria and Europe and issues such as discrimination, representation and art.<\/p>\n<p style=\"text-align: justify;\">Ines Mahmoud is a UI\/UX designer and content creator from Graz. She is co-founder of Salam Oida and has extensive experience as UI\/UX designer, especially in public and healthcare projects for one of the world\u2019s largest IT companies.<\/p>\n<p style=\"text-align: justify;\">Anna Campbell\u2019s sculptures, installations, and ephemera mine history and queer desire. Campbell\u2019s most recent solo exhibition, Dress Rehearsal for a Dream Sequence, was on view at Participant, Inc in New York in 2022.<\/p>\n<p style=\"text-align: justify;\">Jill H. Casid, theorist, historian and artist, is a Professor of Visual Studies in the Departments of Art History and Gender and Women\u2019s Studies at the University of Wisconsin-Madison. Casid is completing Necrolandscaping, the first part of a two-book project on Form at the Edges of Life.<\/p>\n<p style=\"text-align: justify;\">Bogdan Popa is a researcher at the Center for Cultural Innovation and Creativity at Transilvania University of Brasov. Popa is an intellectual historian specializing in the history of ideas in 19th and 20th century Europe. His last book is De-Centering Queer Theory: Communist Sexuality in the Flow During and after the Cold War (Manchester University Press, 2022).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The project-exhibition and symposium Insurgent Flows. Thriving of Black, Brown, Indigenous, Queer and Trans Vitalities. White Topographies of Coercion and Emancipation is a multidisciplinary exploration of various themes, including death, violence, empowerment, futurities. It encourages viewers to engage with challenging aspects of history and to think critically about historical narratives, particularly those that involve the ongoing effects of systematic violence. The exhibition is a fascinating and provocative encounter of artistic expressions and critical discourses.<\/p>\n","protected":false},"author":1,"featured_media":4313,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,6,3,4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/posts\/2852"}],"collection":[{"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.damne.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2852"}],"version-history":[{"count":9,"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/posts\/2852\/revisions"}],"predecessor-version":[{"id":4852,"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/posts\/2852\/revisions\/4852"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/media\/4313"}],"wp:attachment":[{"href":"https:\/\/www.damne.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2852"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.damne.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2852"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.damne.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}