{"id":3425,"date":"2024-10-01T09:58:50","date_gmt":"2024-10-01T09:58:50","guid":{"rendered":"https:\/\/www.damne.net\/?p=3425"},"modified":"2026-01-19T23:22:03","modified_gmt":"2026-01-19T23:22:03","slug":"dissident-histories-insurgent-futurities","status":"publish","type":"post","link":"https:\/\/www.damne.net\/?p=3425","title":{"rendered":"Dissident Histories. Insurgent Futurities"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.damne.net\/wp-content\/uploads\/2024\/10\/wystawa-Historie_www1.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-3426\" src=\"https:\/\/www.damne.net\/wp-content\/uploads\/2024\/10\/wystawa-Historie_www1.png\" alt=\"\" width=\"480\" height=\"640\" srcset=\"https:\/\/www.damne.net\/wp-content\/uploads\/2024\/10\/wystawa-Historie_www1.png 480w, https:\/\/www.damne.net\/wp-content\/uploads\/2024\/10\/wystawa-Historie_www1-225x300.png 225w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/a>Exhibition: 08 10 2024 \u2013 15 12 2024<\/p>\n<p><strong><a href=\"https:\/\/ggm.gda.pl\/en\/28648\/marina-grzinic-dissident-histories-insurgent-futurities\/\" target=\"_blank\" rel=\"noreferrer noopener\">Marina GR\u017dINI\u0106<\/a><\/strong> <strong>with Aina \u0160MID, Tja\u0161a KANCLER, Jovita PRISTOV\u0160EK<\/strong><\/p>\n<p><strong>Venue:<\/strong>\u00a0G\u00fcnter Grass Gallery in Gda\u0144sk<br \/>\n<strong>Dates:<\/strong>\u00a008.10-15.12.2024<br \/>\n<strong>Opening night:<\/strong>\u00a0October 8, 2024 at 6 PM<br \/>\n<strong>Curator:<\/strong>\u00a0\u0141ukasz Guzek<br \/>\n<strong>Co-Curator:\u00a0<\/strong>Mara Ambro\u017ei\u010d Verderber<br \/>\n<strong>Exhibition project:\u00a0<\/strong>Marina Gr\u017eini\u0107 and Jovita Pristov\u0161ek<br \/>\n<strong>Conference:\u00a0<\/strong>09.10.2024, 2.00 PM | Europejskie Centrum Solidarno\u015bci<\/p>\n<p><strong>About the Exhibition<\/strong><\/p>\n<p style=\"text-align: justify;\">The central reference point around which the concept of Marina Gr\u017eini\u0107\u2019s exhibition was organized is the process of reassessing our perspective on the changes taking place in art and culture under the weight of migration. Irreversible.<\/p>\n<p style=\"text-align: justify;\">At the heart of the exhibition lies a focal point on the 40-year journey of video-film and installation work by Marina Gr\u017eini\u0107 and Aina \u0160mid. This showcase not only celebrates their collaborative oeuvre, which began in 1982 and has left a profound artistic and political impact across former Yugoslavia, Slovenia, and beyond, but also introduces a fresh collaborative venture involving Marina Gr\u017eini\u0107, Tja\u0161a Kancler, and Jovita Pristov\u0161ek, which began in 2022.<\/p>\n<p style=\"text-align: justify;\"><strong><a href=\"https:\/\/grzinic-smid.si\/\" target=\"_blank\" rel=\"noreferrer noopener\">Marina Gr\u017eini\u0107<\/a> <\/strong>is a doctor of philosophy and works as a professor at the Academy of Fine Arts Vienna, Austria. She also works as a Principal Research Associate at the Research Centre of the Slovenian Academy of Sciences and Arts, Institute of Philosophy, Ljubljana, Slovenia. Gr\u017eini\u0107 has published numerous articles, essays and several books and has been a video artist in the field of political film for 40 years. She is currently leading the research project Conviviality as Potentiality (FWF AR 679) with her research team Dr. Jovita Pristov\u0161ek, Asma Aiad, BA MA, and Anahita Neghabat, MA.<\/p>\n<p>Download the leaflet <a href=\"https:\/\/www.damne.net\/wp-content\/uploads\/2024\/10\/dissident-histories_insurgent-futurities-eng-3.pdf\">here&gt;<\/a><\/p>\n<p><a href=\"https:\/\/www.damne.net\/wp-content\/uploads\/2024\/10\/marina-grzinic-historie-dysydenckie-rewolucje-przyszlosci-i-aina-smid-tjasa-kancler-jovita-pristovsek.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-3574\" src=\"https:\/\/www.damne.net\/wp-content\/uploads\/2024\/10\/marina-grzinic-historie-dysydenckie-rewolucje-przyszlosci-i-aina-smid-tjasa-kancler-jovita-pristovsek.png\" alt=\"\" width=\"768\" height=\"1080\" srcset=\"https:\/\/www.damne.net\/wp-content\/uploads\/2024\/10\/marina-grzinic-historie-dysydenckie-rewolucje-przyszlosci-i-aina-smid-tjasa-kancler-jovita-pristovsek.png 768w, https:\/\/www.damne.net\/wp-content\/uploads\/2024\/10\/marina-grzinic-historie-dysydenckie-rewolucje-przyszlosci-i-aina-smid-tjasa-kancler-jovita-pristovsek-213x300.png 213w, https:\/\/www.damne.net\/wp-content\/uploads\/2024\/10\/marina-grzinic-historie-dysydenckie-rewolucje-przyszlosci-i-aina-smid-tjasa-kancler-jovita-pristovsek-728x1024.png 728w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a>BOOKLET attached to issue 30 (2024) of the Art and Documentation journal is related to the exhibition: <a href=\"https:\/\/www.zbrojowniasztuki.pl\/publikacje\/katalogi\/marina-grzinic-historie-dysydenckie-rewolucje-przyszlosci-i-aina-smid-tjasa-kancler-jovita-pristovsek,6391\">https:\/\/www.zbrojowniasztuki.pl\/publikacje\/katalogi\/marina-grzinic-historie-dysydenckie-rewolucje-przyszlosci-i-aina-smid-tjasa-kancler-jovita-pristovsek,6391<\/a><\/p>\n<p><strong>Co-financed<\/strong>\u00a0by the Minister of Culture and National Heritage from the Culture Promotion Fund \u2013 a state earmarked fund.<\/p>\n<p><strong>With the\u00a0generous support\u00a0of the<\/strong><strong>\u00a0<\/strong><strong>Embassy of the Republic of Slovenia in Warsaw<\/strong><strong>.<\/strong><\/p>\n<p><strong>Partner:\u00a0<\/strong>ASP, Piran Coastal Galleries<\/p>\n<p><strong>Media partner:<\/strong>\u00a0Tr\u00f3jmiasto.pl, Presti\u017c Magazyn Tr\u00f3jmiejski, Gda\u0144sk.p<img \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exhibition: 08 10 2024 \u2013 15 12 2024\u00a0<\/p>\n<p>Marina GR\u017dINI\u0106 with Aina \u0160MID, Tja\u0161a KANCLER, Jovita PRISTOV\u0160EK<\/p>\n<p>The central reference point around which the concept of Marina Gr\u017eini\u0107\u2019s exhibition was organized is the process of reassessing our perspective on the changes taking place in art and culture under the weight of migration. Irreversible.<\/p>\n<p>At the heart of the exhibition lies a focal point on the 40-year journey of video-film and installation work by Marina Gr\u017eini\u0107 and Aina \u0160mid. This showcase not only celebrates their collaborative oeuvre, which began in 1982 and has left a profound artistic and political impact across former Yugoslavia, Slovenia, and beyond, but also introduces a fresh collaborative venture involving Marina Gr\u017eini\u0107, Tja\u0161a Kancler, and Jovita Pristov\u0161ek, which began in 2022.<\/p>\n","protected":false},"author":1,"featured_media":3574,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7,5,3,4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/posts\/3425"}],"collection":[{"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.damne.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3425"}],"version-history":[{"count":12,"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/posts\/3425\/revisions"}],"predecessor-version":[{"id":4847,"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/posts\/3425\/revisions\/4847"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.damne.net\/index.php?rest_route=\/wp\/v2\/media\/3574"}],"wp:attachment":[{"href":"https:\/\/www.damne.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.damne.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.damne.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}