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Critique de la raison nègre

Achille Mbembe
La Découverte. Collection : Cahiers libres, 2013

De tous les humains, le Nègre est le seul dont la chair fut faite marchandise. Au demeurant, le Nègre et la race n’ont jamais fait qu’un dans l’imaginaire des sociétés européennes. Depuis le XVIIIe siècle, ils ont constitué, ensemble, le sous-sol inavoué et souvent nié à partir duquel le projet moderne de connaissance – mais aussi de gouvernement – s’est déployé. La relégation de l’Europe au rang d’une simple province du monde signera-t-elle l’extinction du racisme, avec la dissolution de l’un de ses signifiants majeurs, le Nègre ? Ou au contraire, une fois cette figure historique dissoute, deviendrons-nous tous les Nègres du nouveau racisme que fabriquent à l’échelle planétaire les politiques néolibérales et sécuritaires, les nouvelles guerres d’occupation et de prédation, et les pratiques de zonage?Dans cet essai à la fois érudit et iconoclaste, Achille Mbembe engage une réflexion critique indispensable pour répondre à la principale question sur le monde de notre temps : comment penser la différence et la vie, le semblable et le dissemblable?

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Necropolitics, Racialization, and Global Capitalism

Historicization of Biopolitics and Forensics of Politics, Art, and Life
Marina Gržinić and Šefik Tatlić
Lexington books, 2014

This book argues that necropolitics are a dominant, yet obscene, form of politics that sustains contemporary racism (racialization) as a primal ideology of global capitalism and connects globalization and its modernist narratives directly with colonialism. The book is important for those—and this means almost all of us—working with relations of modes of life and global capitalism and with articulations of political and epistemological principles onto which capitalism organizes its reproduction […]

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Dutch Racism

Philomena Essed and Isabel Hoving (eds.)

Dutch Racism is the first comprehensive study of its kind. The approach is unique, not comparative but relational, in unraveling the legacy of racism in the Netherlands and the (former) colonies. Authors contribute to identifying the complex ways in which racism operates in and beyond the national borders, shaped by European and global influences, and intersecting with other systems of domination. Contrary to common sense beliefs it appears that old-fashioned biological notions of “race” never disappeared. At the same time the Netherlands echoes, if not leads, a wider European trend, where offensive statements about Muslims are an everyday phenomenon. Dutch Racism challenges readers to question what happens when the moral rejection of racism looses ground […]

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Biko: A Biography

by Xolela Mangcu

The first comprehensive biography of an exceptional and inspirational leader who changed South African history. As leading anti-apartheid activist and thinker, Biko created Black Consciousness, which has resonance to this day. His death by torture, at the hands of the police, robbed South Africa of one of its most gifted leaders. Biko’s intellectual legacy cannot be overestimated.[…]

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Reclaiming Afrikan. Queer Perspectives on Sexual and Gender Identities

Zethu Matebeni (eds.)

A collection of essays and images, Scholarly archival and critical work.

Reclaiming Afrikan: Queer Perspectives on Sexual and Gender Identities is a collaboration and collection of art, photography and critical essays interrogating the meanings and everyday practices of queer life in Africa today. In Reclaiming Afrikan authors, activists and artists from Nigeria, Uganda, Zambia, Kenya and South Africa offer fresh perspectives on queer life; how gender and sexuality can be understood in Africa as ways of reclaiming identities in the continent. Africa is known to be harsh towards people with non-conforming genders and sexual identities. It is within this framework that Reclaiming Afrikan exists to respond to such violations and to offer alternative ways of thinking and being in the continent. The book appropriates “Afrika” and “queer” to affirm sexual identities that are ordinarily shamed and violated by prejudice and hatred. The use of “k” in Afrika signals an appropriation of an identity and belonging that is always detached from a “queer” person. “Queer” in this book is understood as an inquiry into the present, as a critical space that pushes the boundaries of what is embraced as normative. The artists and authors included in this text are “queer” themselves and occupy spaces that speak back to hegemony. For many, this position challenges various norms on gender, sexuality, and existence and offers a subversive way of being.