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events news

Demonstration against the wall on the Serbian-Hungarian border

14 of July, 2015, Nyugati square, Budapest

While the wall is in direct opposition with the ideas, enshrined in the UN Convention relating to the Status of Refugees, which seeks to protect those fleeing persecution in their own country, we oppose the wall, as it is the extreme embodiment of the principles of the restrictive EU migration policies. While valid travel documents are required to enter “legally” into the EU, and these documents are virtually impossible to obtain for most of the people born in Africa, Asia, people have no choice but to travel “illegally”. The European migration policy thus creates illegality, but then also builds walls and erects border in order to supposedly “fight illegal migration” – the very illegality of which it has produced through its legislation and policy. We are opposing this wall because we believe border controls are injust, freedom of movement and settlement is everybody’s right and no human being should ever be declared “illegal”.

No human being is illegal! Freedom of movement for all! Documents for all, or all without documents! Solidarity with migrants everywhere!

No Border Serbia collective

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events news

Ramón Grosfoguel. La colonialidad en el sistema de control migratorio

Charla debate sobre la colonialidad en el sistema de control migratorio con Ramón Grosfoguel
jueves, 9 de julio de 2015, a las 19h en el Espacio del inmigrante
Ptg. Bernardí Martorell 2, 1-1

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events news

Silvia Federici y Cristina Vega. Comunes, feminismo e instituciones

9 de julio de 2015
Lugar: La Hidra Cooperativa

Tema: conversación sobre el problema de la reproducción, la hipótesis de los comunes y la entrada de los movimientos sociales a las instituciones. ¿Qué papel tienen que jugar las curas en el actual marco de asalto institucional?, y ¿que nos pueden enseñar al respecto las experiencias latinoamericanas?

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events news

#SenseMordasses / Concentra-Acció!

I tot i que volen prohibir les nostres formes de protesta, amenaçant-nos amb penes i multes injustes i desproporcionades, no deixarem d’aturar desnonaments, ocupar seus d’entitats bancàries, fer escraches, gravar actuacions policials abusives, denunciar les batudes racistes i les devolucions en calent, etc.

La repressió no ens aturarà. Front l’ ofensiva repressiva de l’Estat, respondrem lluitant, desobeint massivament, defensant-nos col·lectivament als carrers, a les xarxes i arreu, intensificant l’autoorganització popular i els mecanismes de suport mutu i solidaritat. Si ens hi retrobem i ens fem costat, no hi haurà mordassa que ens faci callar.

NI SOLES NI EMMORDASSADES! DESOBEÏM JUNTES! SURT AL CARRER I ESTRIPA LA MORDASSA!

30 de juny de 2015. CONCENTRACIÓ. JARDINETS DE GRÀCIA, 18 h.

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articles news

What is Domitila doing there?

by Trenza Collective

Dozen of pages are written about all the actors and subjects involved: about Not Dressed to Conquer/ Haute Couture 4. Transport, about the Spanish curators Paul Preciado and Valentin Roma, and the German co-curators Hans D. Christ and Iris Dressler, about the artists, the director, the King, the Queen as a sponsor of the museum, the Macba and their contract with the Wurttemberg Kunstverein. And of all these people not a single person questions if a helmeted, naked Domitila trapped between a dog and the king of Spain is really a critique of colonialism. The only statement by Doujak that is cited is the one she gives last December in the São Paulo Biennial, about how the work “plays with power relations and subverts them.” In the center of all gazes, in the very middle of an artwork that supposedly criticizes colonialism, Domitila and what she represents remains invisible to all. Here in the most mediatic moment a political artist concerned with oppression could wish for, Ines Doujak says nothing. Neither do the curators. Nobody speaks up or seems to be bothered by the objectualization of Domitila. The whole perspective that would make her struggle as a political subject to be understood is missing.