Colloque international organisé par le CEDREF, avec le soutien de la Fédération RING
Université Paris 7-Diderot, Vendredi 28 mars 2014
Category: work
Categories
“Artist-proletarians” are everywhere
““Artist-proletarians” are everywhere – the question is when they will be transformed into a new class which could shape a new emancipatory vision of the future and stop being a simple service-labor army for the hyper bourgeoisie.”
Interview with Dmitry Vilensky (Chto delat?) about postcommunism, autonomy, power of dialectics, Brecht’s methods and their videos: “Perestroika Songspiel: Victory Over the Coup”, “Partisan Songspiel: A Belgrade Story” and “Museum Songspiel: the Netherlands 20XX”.
Barcelona/St.Petersburg, October, 2013
La Campanya Tanquem els CIE neix el gener de 2012 arrel de la mort d’Idrissa Diallo, un noi de Guinea Conakry que estava pres al CIE de Barcelona. Els primers membres provenen de diferents organitzacions i col·lectius en defensa dels drets de les persones migrants; ara per ara, però, són nombrosos els activistes a nivell individual que poc a poc s’han anat sumant al grup […]
http://tanquemelscies.blogspot.com.es
Short Description of current edition
ISSHS is proud to announce the issuing of the 10th volume (No. 1-2) of the Journal for Gender, Politics and Culture “Identities.”
“Identities” vol.10 is available for free download or print on demand.
Contributors:
No1 Guest editor: Marina GRŽINIĆ
Science, Media, Necropolitics and Bastard Trans-feminism(s)
No2 Edited by Katerina KOLOZOVA
Of the Possibility of Immanent Revolt as Theory and Political Praxis
Book reviews of the latest publications by Simon O’Sallivan, Anthony Paul Smith, Clayton Crockett
http://identitiesjournal.edu.mk/
Migration, Sex, History: Africa/Europe.
A Research into Labor, Theory, Activism and Migration from Africa into Europe in the 21st Century.(Why is Africa cursed in Europe?)
FILM by Marina Gržinić/Aina Šmid + Tjaša Kancler (Slovenia, Austria, Spain) (2014)
Let’s say “Each generation necessarily engages in a process of rewriting/reconstituting the past. Film makers have to paint their own landscapes; they must breathe new life into each moment in cinema. That can only be achieved when practitioners have mapped out the field of visual representations and the film techniques they wish to deploy.” – Reece Augiste, Member Black Audio Film Collective (BAFC)
Departing from a tradition in politically engaged art experimental projects, we want to make a film to reflect on Europe and its borders, elaborating different conditions for living and acting. This is coming as an imperative. It is a question of establishing new possibilities for forming a different, but counter, almost bastard, dissident history of Europe, better to say of EU, that is, of migration, empowerment and reflection. Transsexual and defiant. The film strives to produce another history and to delink itself from conventionality of the melodramatic language and narratives presented by official film productions.