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Aftermaths and Transformations: October Revolution 1917 Revisited

23.,24., and 25. October 2017
conference, exhibition, film seminar, workshop

The Russian Revolution of 1917, which began with the February Revolution and culminated in October with “ten days that shock the world” established the first workers’ socialist state in history and is therefore the preeminent event of the 20th century. Moreover, the two other “events” of the 20th century, namely the two world wars, were connected to carnage and death with no emancipatory impulse.

When thinking of freedom and change, the October Revolution palpably echoes with two other historically momentous revolutions: the Haitian Revolution, the anti-slavery and anti-colonial insurrection of 1791-1804, and the French Revolution of 1789, the ideological, political and social upheaval in the political history of France and Europe by those who were not recognized as the new labor force or as agents of change. […]

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events films&sounds/exibitions news work

Cines migratorios. Proyecciones privadas, miradas colectivas

El martes 30/5, a las 19h en t.i.c.t.a.c. – C/Santa Dorotea 9, Bcn

La presentación del proyecto Tiempos Migratorios que está construyendo una serie de momentos compartidos, conversaciones y encuentros translocales entre artistas, investigadores y activistas. Dispersos a través de los espacios digitales, con tiempo y espacio físicos compartidos ocasionalmente, estos encuentros producen sentidos de intimidad en red[…]

La proyección de videos: Hotel/Panamá (Dalida Benfield), Basing Landscapes (Michelle Dizon) y Living Belinda (Jane Jin Kaisen)

El conversatorio con Dalida Benfield (videoartista, investigadora y docente) y Diásporas críticas (colectivo de investigación-acción en artes).

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RADICAL CONTEMPORANEITY – Marina Gržinić and Aina Šmid 35 years of work revisited (1982–2017)

Curated by Aneta Stojnić
Kunstraum Lakeside B02, Klagenfurt, Austria
Opening: 11.05.2017, 18.30h

This exhibition encompasses the most significant body of works by the Slovenian artists Marina Gržinić and Aina Šmid developed over 35 years. Highly performative in the sense of producing the specific impact in current socio-political reality, their mode of production is prompted by a sharp and accurate sense of the contemporary context, in the way that each of their works is producing a specific account of what we will call radical contemporaneity. This means that not only have they been working with boiling political questions, but they have kept dealing with them as they are happening, always taking the risk to provide the analyses of traumatic presents, conscious of the historic momentum, yet with a clear understanding of the processes of historicization.

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events films&sounds/exibitions news work

UNCENSORED – International Film Days

Date | 16.03.2017 – 18.03.2017
Venue | Academy of Fine Arts Vienna, Main Buliding, Schillerplatz 3, 1010 Vienna, Aula, Top Kino, Rahlgasse 1, 1060 Vienna

Screenings of censored films with lectures and discussions.
Free admission on all days.

The event is conceived by the Conceptual Art (Post-Conceptual Art Practices) study program: Marina Gržinić, Betül Küpeli, Cansu Berksan with Tjaša Kancler, Songül Sönmez, Abidin Ertuğrul, Nathalie Borgers, Reha Refik Taşcı and Cana Bilir-Meier

Guests: Nathalie Borgers (Vienna), Sebestyén Kodolányi (Budapest), Gianfranco Pannone (Rome), belit sağ (Amsterdam /Turkey), Marika Schmiedt (Vienna)

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7M – La nit es nostra – Comunicado del grupo transfeminista antirracista de Barcelona

Como no-grupo, nosotrxs Lxs Oscuras denunciamos las violencias heteropatriarcales, racistas y coloniales: -Las violencias y asesinatos a mujeres de los Pueblos-Naciones Originarias que luchan contra el extractivismo, saqueo y destrucción de sus territorios por parte de capitales europeos, norteamericanos y occidentales. Berta Cáceres y Lesbia Yaneth, asesinadas por luchar contra el avance de hidroeléctricas de […]