Arte e Investigación: Metodologías compartidas. Política y Traducción
Art i Recerca: Metodologies compartides. Política i Traducció
6 y 7 de Septiembre de 2012. Facultad de Bellas Artes de Barcelona. Sala de Actos.
Traducción simultánea. Inglés-español / Español-inglés
Secretaría del Simposio: Carles Ameller
Día 6
10:30-11:00h Presentación a cargo de Dra. Antònia Vilà y Dra. Alicia Vela
11:00-12:00h Dra. Hanne Loreck, Gender Studies. Professor at the Hochschule Fürbildende Kunste Hamburg University. http://www.genderstudies-hamburg.de/index.php?id=357
Conferencia: Reloading Hysteria: Images of Hysteria Between (Medical) Science, Art History, and Contemporary Art
According to Sigmund Freud, hysteria’s symptoms meet two conditions: the past and the very actual moment – “it all goes back to remembering”, Freud once stated. Known as a (female) disease for ages, hysteria became a subject of medical and neurological research in the second half of the 19th century. Modeled on the representations of the obsessed in art and supported by huge amounts of so-called scientific or clinical photographies, the theatrical and aesthetic phenomenon immediately drew the attention of scientists and artists alike: Examining and depicting hysterics had become the two sides of the same coin. Beginning with, what the French art historian Georges Didi-Huberman called the invention of hysteria at the end of the 19th century, the talk will criticize any ontology of being hysterical, especially when ascribed to women. Instead, it looks at hysteria as a (creative) method in which research, media material, and the imaginary are intertwined. It proposes its contemporary revision as a set of means and methods to subvert and to disarray institutions of all sorts: subjectivity, the arts, and the sociopolitical.
12:00-13:00h Dra. Marina Grzinic, philosopher, artist and theoretician. Professor at the Academy of Fine Arts Vienna University. http://m1.antville.org/ , http://www.grzinic-smid.si/
Conferencia: Biopolitics and Necropolitics in relation to the Lacanian four discourses. PDF
The question today that stays for art and theory, the social and the political is the question of the social bond and our place inside it. Are we capable of action, critical analysis, resistance, or better to say insurgency? If yes, how? What is the social bond that structures neoliberal global capitalism? How to talk about ideology, subjectivities, power and life, if it is said that we live today in the world of the post-ideology, post-politics conditions. The lecture will try to rethink these questions and as well confront two conceptualizations of mode of life, on one side the biopolitical and necropolitical and on the other the Lacanian four discourses, in order to answer to the main question of our capacity to react and moreover change these present conditions of capital over-exploitation and dispossession.
13:00-14:00h Debate
14:00-16:00h Pausa/comida
16:00-16:20h Tjasa Kancler “La potencialidad en la imposibilidad. Políticas estéticas y su configuración material”. PDF
16:40-17:00h Vanni Brusadin “Camuflaje. Cómo la impostura y otros juegos de identidad pueden construir imaginación colectiva para el cambio social en la condición post-digital”. PDF
17:20-17:40h Mireia Feliu “In-Quietuds. Nomadismes contemporanis”. PDF
Día 7
10:30-13:00h Presentación videos de Marina Grzinic.
13:00-14:00h Debate
14:00-16:00h Pausa/comida
16:00-16:20h Damian Peralta “Arte en tiempo de ejecución: La dinámica interna del software art”. PDF
16:40-17:00h Pilar Villuendas “Diseño gráfico en Barcelona desde la muerte de Franco hasta los Juegos Olímpicos. Acerca del cartelismo y la gráfica de la Barcelona de los 70-90, a través de la obra de un estudio de diseño en Barcelona”. PDF
17:20-17:40h Qin Wang “Interpretation of Architecture Design for Elderly Living”. PDF
18.00-18:20h Edith Lasierra “Fidjos de Rabelado: Arte y lógicas de contestación en la isla de Santiago”. PDF
Este Simposio ha sido organizado por el proyecto de investigación I+D+i Metamétodo: Metodologías compartidas y procesos artísticos en la sociedad del conocimiento (HAR2010-18453) http://www.ub.edu/imarte/projectes/ y por los programas de movilidad del Doctorado con Mención de Excelencia ESTUDIOS AVANZADOS EN PRODUCCIONES ARTÍSTICAS. Es obligatoria la asistencia de todos las/los investigadores – doctorandos pertenecientes al mismo.